![]() Though I didn’t use many effects, I added some ambient reverb on the rhythm parts and a stereo delay on the leads. To record the solo, I moved to a 5150 MKIII with a model of an MXR Micro Amp in front. For the crunchy rhythm guitars, I used an amp model based on an old Peavey 5150. #Jerry cantrell guitar rig proFor our track, I used my Music Man Axis into JamUp Pro on an iPad, and that was routed to Steinberg’s Cubasis via Audiobus. Lately, Cantrell’s backline consists of Freidman heads (including his signature model) and Bogner cabs. He’s also been seen playing Gibson Les Pauls and older Music Man models. Cantrell is known for his signature G&L Rampage, a guitar he’s been using throughout his career. In the solo’s conclusion, a bit of shred pops up with a fast sextuplet lick based around legato phrasing within the D minor pentatonic scale. ![]() After the whole-step bend up to A on the 3rd string, keep it in place while picking the triplets-a classic blues-rock move. ![]() Keep it in tune! After a flourish of triplets, we move up to the safe confines of the D minor pentatonic scale (D–F–G–A–C) in the 10th position. Pay attention to the huge (minor third) bend in the solo’s third measure. Things kick off with a fast trill before moving into the D blues scale (D–F–G–Ab–A–C). Here, we keep a similar feel going with some chromaticism as we climb up the neck.Ĭantrell is heavily inspired by Jimi Hendrix, and I’ve tried to capture that in the solo. Next we move to a 6/4 time signature for the bridge, much like “Them Bones.” AIC often favors unusual time signatures, such as 7/8. Focus on connecting the sound between the double-stops and then move to the chugging feel for the Eb5 chords. This section was inspired by “Grind” from AIC’s self-titled album. ![]() Check out the Dm7 voicing at the 10th fret and add some vibrato.įor the chorus, we explore a slightly more open feel that includes some syncopation. Dig into the strings and drive through the riff. For the double-stops, use all downstrokes and keep the chugging feel going. In the next section, we start with a thick rhythm part. To fully emulate the AIC sound, I’ve doubled this riff an octave higher. The alternate measure features a sliding octave shape. The first one moves between the open 6th string and C on the 5th string. It creates an awesome droning effect and serves as a “question” to the next measure’s “answer.” You can see we have two alternating answer measures. Throughout the measure, continue to pick eighth-notes while slowly bending the string up a whole-step. The riff is based around a bending figure that needs a bit of explanation. The intro kicks off with a riff inspired by “Check My Brain.” You’ll notice we’re in dropped-D tuning, so don’t forget to lower your 6th string a whole-step. For our lesson, I was inspired by both old and new AIC, including “Man in a Box,” “Them Bones,” “Grind,” and “Check My Brain.” In this example, I’ve included droning bends, chugging dropped-tuned riffs, and some melodic chord sequences. He’s a huge fan of dropped-D tuning and likes to layer guitar parts with a variety of tones. Jerry Cantrell has a very thick and powerful guitar sound that packs plenty of crunch. #Jerry cantrell guitar rig how to
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